Aletheia        Seen as a map, the social geography of the tiny town is a number puzzle on which a restricted range of elements change places, where subtractions and disappearances are part of the natural order of things but additions and arrivals are gratuitous, so each subject to a flurry of messages.  

The commercial geography is a narrow strip and a sequence of identical restaurants each of which serves the same food as every other.  At either end of the sequence are clusters of antique shops, it’s temporal boundaries, each a collage past subject to its own arrangements and rearrangements.
 
Levels of geography mirror each other.
 
 
She has jet black hair and eyes. Her earrings are showers of exploded silver over a crucifix that dances from a chain over the soft terrain of her breasts and the continuous play of revealing and concealing.  At every bar people lose themselves in contemplation of her peerless globes. 
 

Aletheia        Seen as a map, the social geography of the tiny town is a number puzzle on which a restricted range of elements change places, where subtractions and disappearances are part of the natural order of things but additions and arrivals are gratuitous, so each subject to a flurry of messages.  



The commercial geography is a narrow strip and a sequence of identical restaurants each of which serves the same food as every other.  At either end of the sequence are clusters of antique shops, it’s temporal boundaries, each a collage past subject to its own arrangements and rearrangements.

 

Levels of geography mirror each other.

 

 

She has jet black hair and eyes. Her earrings are showers of exploded silver over a crucifix that dances from a chain over the soft terrain of her breasts and the continuous play of revealing and concealing.  At every bar people lose themselves in contemplation of her peerless globes. 

 

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